Oyster
I feel like an oyster, ingesting some irritant. It rolls around inside me as I mull it over. An oyster can hope that the result of the irritant is a radiant pearl, but in my case the result is usually a clump of misshapen words, a mystifying mass of letters and punctuation.
I write to gain some perspective on the world and perhaps gain some insight into myself. If I translate my thoughts into some form that I can see, perhaps they will make more sense. Maybe by filtering the world around me into readable text, I will begin to see a pattern emerge and things won’t seem so random and meaningless.
Of course, that doesn’t always happen. More often than not, I find that I am not able to translate abstract thought into linear ideas. Sometimes it takes months or years for me to find the pattern I was attempting to delineate. It takes a lot of time to understand life. I feel like I have a very long way to go to finding that understanding.
Life Is Grand
I had written a long post for this week. It was a rambling, angry essay. I ranted about the world and how messed up everything seems to be. All the bile and disgust poured out on to the page. I saved it on Tuesday and went to work, intending to post it on Wednesday. Wednesday came and I didn’t feel so angry anymore, sad but not angry. I decided I would wait one more day.
Yesterday, Thursday, I spent my day off alone. I started the day in bed, sipping tea and reading comic books. I read two collections of “Birds of Prey” written by Gail Simone. It was a good way to start the day. I felt happy. I had lunch at one of my favorite restaurants and read a P.G. Wodehouse. I spent the afternoon learning to play old songs on my banjo. I ended the day back in bed with Wodehouse. It was a good day. I forgot my anger and sadness for a while.
It just reminded me of how often we forget about the good things that are happening right in front of us. The little things that seem so unimportant but end up being the very things that make life worth living: a good book, a good song, or a funny joke. Just the very fact that I have the time and safety to enjoy these things is reason enough to be happy. Not everyone lives so grand a life.
Often times I will find myself saying things like, “When such-and-such happens, then I will be happy,” or “Once this event has passed then things can return to normal.” The problem with thoughts and statements like this is that happiness is not a sustained state of mind. There is no normal. There will always be drama and conflict in life. It would be pretty drab if there was not. Rather than waiting for happiness to approach, choose to appreciate what you have. Remember how much you enjoyed your breakfast; enjoy that stolen half hour of comic book reading on your lunch break; treasure that cup of tea that speeds you through the comic misadventures of Psmith. The tiny things that seem so commonplace make a warming quilt of happiness.
Magnified Whisper: Home of the Labored Metaphor
Music Sucks
I’m a twenty-six year old college graduate. I work in a bookstore. I’m an amateur banjo player. I secretly paint bad landscapes with watercolors. I love music. I am an avid reader of liner notes. Despite my affinity for music, I am in no way qualified to write about it. I’m not a musicologist. But that’s never stopped me before. So here goes.
I should say that I loathe speaking in generalities. But sometimes in life it is necessary. My premise is pretty broad and open to all kinds of attack, but I’m going to say it anyway, if for no other reason than to just get it out of my head. I’m sure I will probably look back on this one day and wonder what I was thinking, like some of my other posts (here and here). I guess we’ll see.
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Modern music sucks.
I told you it was a broad premise. And I should say that I am not indicting all of modern music, but certainly a large segment of it that I will define in a few paragraphs. There is definitely still good music being made, but it goes largely unheard and unappreciated.
I know this is the part where you are thinking to yourself, ‘How can she presume to tell me what music is good and what music is bad?’
I will attempt to explain.
Music, to me, is the most beautiful of the arts. Unlike many of the others, it is best when witnessed in real time. The listener is privy to the moment of creation, in many cases a creation brought forth at the hands of many people working in concert. Humans, filthy, disgusting, bickering, addicts with broken dreams and broken souls, human people working together with such precision and awareness that they draw forth beauty from friction on strings and sticks banging skins, from blowing precisely through metal tubes and plucking at wires, their voices blend together with such harmony that it begins to sound like souls touching. They sing words of poetry that capture life succinctly, sweet and loud. How could such beautiful, such mathematically and emotionally beautiful sounds come from such petty creatures? Or is this a physical manifestation of the beauty of humanity and the goodness we are capable of that isn’t always visible?
Music is more than just about sounds. It is about humanity. It is about common experience. It is about sharing. It is about working together. It is about accumulated experience. Anyone with determination can make music. Anybody who can tap their foot or raise their voice can join in. Music is accessible to anyone who can make and hear sound. It crosses language barriers and is globally accessible. It is the universal language. I think we would do well to greet any visiting alien species with our best musicians and singers. Then they would see it’s not all war and killing and anonymously shouting at each other on the Internet.
‘So with all her gushing praise for music,’ you are thinking, ‘how could she say modern music sucks?’
Modern music is not made by people. It is made by computers. There is no humanity. It is humanity translated by computers. It is a cold reflection, precise. There is nothing exciting about a producer in front of a computer wearing headphones and clicking a mouse button dragging tracks around. There is nothing to be impressed by. There is no hard work or determination. People don’t have to work together; the computer will mediate. “Don’t bother singing well. We’ll fix it in post.” Modern music is just sound. There is nothing deeper. Humanity has been fed into the machine and stripped of all imperfection, leaving a shell, a hollow approximation.
‘Now, hold on. Computers are merely a tool used to create. They are no more responsible for bad music than a hammer is for a poorly built chair.’
That is true. Computers are a tool. But what has happened is that what should be used to augment art has become the sole means of creating it. The work that was once required, the determination, the life, the experience that once went into the creation of art, of music is no longer necessary. Talent, that inborn quality that allows some people to tap into the pool of musical consciousness, is now vestigial like a human tail. It has gone from technology augmenting humanity to create music to humanity augmenting computers.
‘Wow,’ you think, ‘she’s pretty young to be such a Luddite.’
It is not only the computer that I hold responsible for the destruction of music. It is the way that it is treated. I am speaking here about the American music industry and that says it all. “Music industry.” We have made pieces of the soul of humanity into quantifiable commodities to be bought and sold and controlled. Music is no longer created as a form of expression. It is created to be marketable. It is marketed on the basis of its commercial appeal. The “goodness” of a song is viewed through the prism of business and focuses on units sold. In order to sell the most units possible, music must be created that appeals to the broadest audience. In order to appeal to as many people as possible, it is necessary to smooth away any rough edges and present the slickest surface possible so that any shit that may be flung slides harmlessly away. Regional sounds have all but disappeared; the music that people listen to in Washington State is very similar to the music that people listen to in Florida, with small variations that can be attributed to variations in ethnic diversity and median age. There was a time when songs were traded, covered, improved upon, responded to, and requested. Modern copyright law has destroyed the ecosystem of the pool of musical consciousness, forbidding almost any exchange of ideas or cross-pollination. Music, that once great and universally revered pillar of the Arts, has become subject to the dark art of marketing.
I know none of this is new. I know that the industry of music has existed for at least the last hundred years, if not longer. But the music industry of the 1920s, peopled with talented individuals and spirited entrepreneurs, is an anthill when compared to the towering behemoth we live under the shadow of today. In our time, the music industry is heaving with greed and laziness. It is a dirty puddle that spreads out, not a deep pool that reflects truth. Truth, once an ally of the hard-working artist, is no longer welcome in the Musical Industrial Complex. Truth is repugnant to the musical consumer. Sugary beats and vague sentiments of love to satiate the masses. With computers to aid in the production, music, like many of the Arts, can now be made at a fraction of the cost in a fraction of the time with a fraction of the talent.
‘Who cares?’ you ask. ‘Most of the stuff you’re talking about is just pop music anyway. It’s supposed to be like that: disposable. It’s good when you just want something to pump you up or you’re working out or something. I mean, what’s the big deal?’
Perhaps you’re right. Maybe I am making too much from nothing. Maybe it is okay to have music that is disposable. Maybe it is okay for music to be only sound to keep thoughts at bay. Maybe computers make better music than humans.
I don’t know if I want to live in a world where those sentiments are true. I don’t want to live in a world where music has no meaning and its only purpose is to keep the Musical Industrial Machine running. Modern music is the plastic face of humanity, the horrible caricature that has replaced the hopeful, determined, talented, genuine beauty of the past.
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Don’t believe there’s a difference between digital music and analog music?
Compare and contrast these two versions of the song “In The Mood”. The first was made in 1983 with great focus on being a “digital” album. Though it was performed by actual musicians, it was recorded digitally. The second was recorded using analog equipment in the 1940s. Which sounds better to you? While the first one sounds cleaner is it better? Does the sterilized digital environment augment the beauty or detract?
Ladies’ Night
Well, dear reader, I would like to apologize. I’m sure you have come to slog through another of my foggy ramblings with an endless repetition of platitudes. There will be no such post this week. I figured it would be fun to share a few songs instead.
First one is from Laura Nyro. You have probably never heard of her. I haven’t met many people that have. But it’s a sure bet you’ve heard one of her songs at some point. The Seventies vocal group The 5th Dimension covered a number of them. The most popular is probably “Wedding Bell Blues”. She was an amazing singer, pianist and songwriter. This song is called “Time and Love” from her album “New York Tendaberry”. I can’t get enough of this song and the album is just as good. It is epic and intimate, accessible and personal. I can’t recommend it enough:
Next is a song by the folk/rock group Hem. I have yet to hear a song of theirs I didn’t like. The singer Sally Ellyson has such a beautiful voice. It is ethereal and unpretentious. They are a group that seems to understand the value of simplicity, the wholesome goodness of analog instruments and the beauty that is revealed when people join together in common purpose. The song is called “Stupid Mouth Shut” and is from the album “Rabbit Songs”. (In the comments section under the video on Youtube, a user has commented “Best album of all time”, a sentiment that, while it may be hyperbolic, I would have to agree with. It is definitely one of the best.)
Finally, it’s Nina Simone. I have only recently become acquainted with her music. She is truly amazing. All that I could say about her is easily summed up by watching the following video of her performance of Bob Dylan’s song “The Ballad of Hollis Brown”. She is powerful and passionate; a beautiful example of a strong woman who is not to be trifled with.
That video is taken from this concert in Holland. If you have a spare forty minutes, you won’t regret watching it. I put it on one night while I was doing some writing. I couldn’t get any writing done; I was so absorbed by her charisma and talent.
Anyway, hope you enjoyed the music.






